• Galerie Stadt Sindelfingen, Sindelfingen, Germany
• Fondazione Modena Arti Visive, Modena, Italy
• Staatsbibliothek zu Berlin, Berlin, Germany
• Whitney Museum of American Art (as part of Lorna Mill's 'Ways of Something')
• The Israel Museum, Jerusalem
• Museum of Modern Art, New York
• National Media Museum, Bradford UK

• Fondazione Modena Arti Visive, Mondi distorti, Modena, Italy, 2023
• Galerie Nordenhake, Showroom, Strands, Stockholm, Sweden, 2023
• /rosa, Skyscapes: Berlin-Mitte, Berlin, Germany, 2023
• Staatsbibliothek zu Berlin, Worlds in Figures, Berlin, Germany, 2022
• Culturgest, Red Lines with Landscapes: Portugal, Porto, Portugal, 2020
• Culturgest, Red Lines with Landscapes: Portugal, Lisbon, Portugal, 2020
• The Collection Lincoln & Usher Gallery, Red Lines with Landscapes at The Usher Gallery, Lincoln, UK, 2019
• MOCA Jacksonville, Since You Were Born, Jacksonville, Florida, USA, 2019
• Erik Nordenhake, Common Interests and Reciprocal Esteem, Stockholm, Sweden, 2018
• Mona Bismarck American Center, Landscape with a Ruin, Paris, France, 2017
• Belenius/Nordenhake, Kites & Websites, Stockholm, Sweden, 2016
• Belenius/Nordenhake, Silhouettes, Stockholm, Sweden, 2015
• Foosaner Art Museum, Intellectual Property Donor, Melbourne, Florida, 2015
• Knoxville Museum of Art, Intellectual Property Donor, Knoxville, Tennessee, 2015
• Carroll/Fletcher, Voices Over the Horizon, London, UK, 2015
• Ulrich Museum of Art, Intellectual Property Donor, Wichita State University, Wichita, Kansas, 2015
• Gallery Niklas Belenius, Memory, Stockholm, Sweden, 2014
• Ezra and Cecile Zilkha Gallery, Intellectual Property Donor, Wesleyan University, Middletown, Connecticut, 2014
• XPO Gallery, View In Room, Paris, France, 2013
• Parsons Paris, New York to Paris, Paris, France, 2013
• Aksioma Institute for Contemporary Art, Flight Mode, Ljubljana, Slovenia, 2013
• Kibel Gallery (University of Maryland), Casual Computing, College Park, Maryland, 2013
• N2 Galeria, La Vanguardia Americana, Barcelona, Spain, 2012
• Eastern Michigan University Gallery of Art, Welcome to Detroit, Detroit, Michigan, 2012
• 90 Bowery, When We Were Kings, New York City, New York, 2011
• Advanced Minority, Available Online For Free, Vienna, Austria, 2009

• National Art Center, Tokyo, Universal/Remote, Tokyo, Japan
• Hiroshima City Museum of Contemporary Art, Universal/Remote, Hiroshima, Japan
• Galerie Stadt Sindelfingen, Decoding the Black Box, Sindelfingen, Germany
• Kunstpalast, The Power of Scale in Photography, Düsseldorf, Germany
• SVA MA Curatorial Practice, Everyone Will Die but I Always Think I Won’t, New York City, USA
• Exposed: Torino Foto Festival, A View From Above, Turin, Italy
• Dorothée Nilsson Gallery, RIZZ/MAXX ‘24, Berlin, Germany

• Galleria d'Arte Moderna e Contemporanea, A leap into the Void. Art beyond matter, Bergamo, Italy
• Transmediale, a model, a map, a fiction, Berlin, Germany
• CODA Museum, Behind the screens, Apeldoorn, Netherlands
• Times Art Museum, A Momentary Spring, Beijing, China
• Times Art Museum Chengdu, A Momentary Spring, Chengdu, China
• Shenzhen Museum of Contemporary Art | ZK, Topologies of the Real, Shenzhen, China
• Office Impart | Grisebach, For Now, Dusseldorf, Germany

• The Museum of Modern Art, Never Alone, New York City
• Hamburger Kunsthalle, Give And Take. Images Upon Images, Hamburg
• Les Rencontre d’Arles, Songs of the Sky, Arles, France
• POCHEN Biennale 2022, The (new) Measuring of the World, Chemnitz, Germany
• Kalyon Kültür, Touched by Humankind, Istanbul, Turkey
• Zhejiang Art Museum, Hangzhou Triennial of Fiber Art, Hangzhou, China

• C/O Berlin, Songs of the Sky, Berlin, Germany
• Red Brick Art Museum, The Supermarket of Images, Beijing, China
• Jacob Lawrence Gallery, Lux Aeterna, University of Washington, USA
• Noorderlicht International Photo Festival, Makeable Mind, Groningen, Netherlands
• Trinity College Dublin, the Science Gallery, SYSTEMS, Dublin, Ireland

• Jeu de Paume, The Supermarket of Images, Paris
• Yuz Museum, Lying Sophia and Mocking Alexa, Shanghai, China
• Chronus Art Center, WE=LINK:十个小品 Ten Easy Pieces, online
• Upstream Gallery, Quiet, Calm, Staring, online

• XXII Triennale di Milano, Broken Nature: Design Takes on Human Survival, Milan, Italy
• The Philip and Muriel Berman Museum of Art, Science Fiction, Collegeville, USA
• Coreana Museum of Art, the Security Has Been Improved, Seoul, Korea
• iMAL (dual exhibition), Ways of Connecting, Brussels, Belgium
• Noorderlicht House of Photography, IN VIVO tempo, Groningen, Netherlands

• Smithsonian National Portrait Gallery, Eye to I: Self-Portraits from 1900 to Today, Washington, D.C., USA
• Museum of Contemporary Art Chicago, I WAS RAISED ON THE INTERNET, Chicago, USA
• Museum of Art, Architecture and Technology, ELECTRONIC SUPERHIGHWAY, Lisbon, Portugal
• Strasbourg Biennale, Touch Me – Being a Citizen in the Digital Age, Strasbourg, France
• Le Mundaneum, Transnumeriques, Louvain-la-Neuve, Belgium
• Maison Populaire, DES SURFACES DÉNUÉES D’INNOCENCE, Montreuil, France

• Whitney Museum of American Art, Dreamlands: Immersive Cinema and Art, 1905–2016 (as part of Lorna Mill's 'Ways of Something'), New York City
• The Armory Show, Platform with Carroll / Fletcher, New York City
• transmediale: ever elusive, Berlin, Germany
• NYUAD Art Gallery, Invisible Threads, Abu Dhabi, United Arab Emirates
• Triennale Hasselt, Hasselt, Belgium
• Priska Pasquer, RESET II and FUTURISM, Cologne, Germany
• the Moving Museum, TECHNOSTALGIA

• Whitechapel Gallery, Electronic Superhighway (2016-1966), London
• Biennale of Sydney, Sydney, Australia
• Skuc Gallery, The Black Chamber: surveillance, paranoia, invisibility & the internet, Ljubljana, Slovenia
• Museum of Modern and Contemporary Art, The Black Chamber: surveillance, paranoia, invisibility & the internet, Rijeka, Croatia
• Lehmbruck Museum, On Surface, Duisburg, Germany
• Carroll/Fletcher, Looking at one thing and thinking of something else, London, UK

• Museum of Modern Art, This Is for Everyone, New York City
• NRW-Forum, Ego Update, Dusseldorf, Germany
• Galerie Krinzinger, MANKIND / MACHINEKIND, Vienna, Austria
• Biennial of Asuncion, Asuncion, Paraguay
• Utah Museum of Contemporary Art, Panopticon, Salt Lake City, UT
• Kunsthaus Kaufbeuren, #NEULAND (with Aram Bartholl and JODI), Kaufbeuren, Germany
• LISTE Art Fair Basel (with HeK), PEBKAC - IMHO, Basel, Switzerland
• Hessel Museum of Art, Signal from Noise, Bard College, NY
• Belenius/Nordenhake, STATE OF BEING, Stockholm, Sweden
• Gray Area Foundation, F.A.T. GOLD: San Francisco, San Francisco, California
• HOST, Gothenburg, Sweden
• PRISKA PASQUER, RESET 1, Cologne, Germany

• Alingsas Konsthallen, SNEL HEST, Alingsas, Sweden
• Carroll Fletcher Gallery, Unoriginal Genius, curated by Domenico Quaranta, London, UK
• Carroll Fletcher Gallery, Pencil / Line / Eraser, London, UK
• Mestna galerija Ljubljana, net.art Painters and Poets, Ljubljana, Solvenia
• MuseumPark, Data Culture: Browser-Based Art, Rotterdam, Netherlands
• Furtherfield, Piracy as Friendship, London, UK
• House of Electronic Arts Basel, Art & Arcade, curated by Alain Bieber, Basel, Switzerland
• MU, Art & Arcade, curated by Alain Bieber, Eindhoven, Netherlands
• XPO Gallery, FULL SCREEN, curated by Aram Bartholl, Paris, France
• MU, F.A.T.Gold, Eindhoven, Netherlands

• Museum of Modern Art, Born out of Necessity, New York City, USA
• Museum of Moving Image, A Tribute to Heather, New York City, USA
• Rua Red, Beyond the White Cube (dual show with Constant Dullaart), curated by Nora O'Murchu, Dublin, Ireland
• House of Electronic Arts Basel, Und Everybody Says Yeah, curated by Bieber Alain, Basel, Switzerland
• Museum of Art, Seoul National University, Data Curation, Seoul, Korea
• Import Projects, Gordian Conviviality, curated by Max Schreier, Berlin, Germany
• XPO Gallery, OFFLINE ART: new2, Paris, France
• Kasseler Kunstverein, OFFLINE ART: Hardcore, curated by Aram Bartholl, Kassel, Germany
• FAT Gold, Eyebeam, New York City, New York
• Kim? Contemporary Arts, Save As, Riga, Latvia

• Collect the WWWorld: The Artist as Archivist in the Internet Age, 319 Scholes, Brooklyn, New York
• Kunsthalle Wien, BLK River, Vienna, Austria
• Arts Le Havre, Biennale d'Art Contemporian, Le Prix Partouche, Le Havre, France
• Museum of the Moving Image, DVD Dead Drop, curated by Aram Bartholl, New York City, New York
• Jeu de Paume Virtual Space, Form@ts, Paris, France
• House for Electronic Arts Basel, Collect the WWWorld: The Artist as Archivist in the Internet Age, curated by Domenico Quaranta, Basel, Switzerland
• Bemis Center for Contemporary Art, "Transceiver", curated by Drift Station and Joel Damon, Omaha, Nebraska
• Centre de Cultura Contemporania de Barcelona, The Influencers 2012, curated by Eva and Franco Mattes, and Bani Brusadin, Barcelona, Spain
• Contemporary Art Center, Is This Thing On?, Cincinnati, Ohio

• Museum of Modern Art, Talk To Me, New York City, New York
• Portsmouth Museum of Art, iImage: The Uncommon Portrait, Porstmouth, New Hampshire
• Collect the WWWorld: The Artist as Archivist in the Internet Age, Brescia, Italy
• NIMk, Cloud Sounds, Amsterdam, The Netherlands
• Japan Media Arts Festival, Tokyo, Japan
• Welat Internetcafe, SPEED SHOW vol.5: Open Internet, Paris, France

• Centre Pompidou, Studio 13/16, Paris, France
• British Design Museum, Brit. Insurance Design of the Year 2010, London, United Kingdom
• Kunsthalle Wien, Street and Studio From Basquiat to Seripop, Vienna, Austria
• SPEED SHOW vol.1 & 2: TELE-INTERNET, Berlin, Germany
• Pointe Ephemere, In Famous Carousel, Paris, France

• Fondation Cartier, Born In The Streets, Paris, France
• Kurzfilmtage, 55th International Short Film Festival, Oberhausen, Germany
• Filmwinter, Festival For Expanded Media, Stuttgart, Germany
• NIMk - Montevideo / Time Based Arts, Versions, Amsterdam, Netherlands
• CREAM, International Festival for Arts and Media, Yokohama, Japan
• Future Gallery, Michael Jackson Doesn't Quit (Part 2), Berlin, Germany

• Museum of Modern Art, Rough Cut: Design Takes a Sharp Edge, New York City, New York
• Tate Modern, Street Art, London, UK
• Museum of Modern Art, Design and the Elastic Mind, New York City, New York
• Sundance Film Festival, New Frontiers 2008, Park City, Utah
• NIMk, Speaking Out Loud, Amsterdam, Netherlands
• Elizabeth Foundation for the Arts, Beyond a Memorable Fancy, New York City, New York
• Total Museum of Contemporary Art, Hack the City! & Play-ing, Seoul, Korea
• Brooklyn Academy of Music, Brooklyn, New York

• Stiftung Kunstfonds, NEUSTART KULTUR Stipendium, 2022
• Akademie der Künste’s INITIAL Special Grant, 2021
• Stiftung Kunstfonds, NEUSTART KULTUR Stipendium, 2020
• Artangel Everywhere commission, 2017, London. UK
• Masters & Servers: Networked Cultures in the Post-Digital Age commission, 2016
• Creative Capital Emerging Fields Award Recipient, 2016, New York City
• 2013 Commission by the Museum of Moving Image, New York City
• Smithsonian's Cooper-Hewitt 2012 National Design Award in Interaction Design
• Eastern Michigan University, 2012 McAndless Distinguished Professorship, Detroit, Michigan
• La Gaite Lyrique, Artist in Residence (July 2011), Paris
• Transmediale, 2011 Open Web Award, Berlin
• [2010 [14th] Japan Media Arts Festival](http://plaza.bunka.go.jp/english/festival/2010/outline/), Excellence Prize in Interactive Art, Tokyo
• Turku 2011, Grand Prix in Digital, Turku, Finland
• Ars Electronica, 2010 Golden Nica in Interactive Art, Linz, Austria
• FutureEverything, 2010 FutureEverything Award, Manchester, United Kingdom
• Rhizome at the New Museum, Seven on Seven (2010), New York City
• Transmediale, 2010 Award Nomination, Berlin
• British Design Museum, Nominated for the Brit Insurance Interactive Award 2010, London
• British Design Museum, Brit Insurance Interactive Award 2010, London
• Transito_MX, 03/Autonomies of Disagreement Project Selection, Mexico City
• Rhizome at the New Museum, 2009 Rhizome Commission, New York City
• Rhizome at the New Museum, 2007 Rhizome Commission, New York City
• Lower Manhattan Cultural Council, Off the Record Commission 2006, New York City
• Ars Electronica Prix, 2006 Award of Distinction in Interactive Art, Linz, Austria
• Eyebeam, Fellow (2005 to 2007), New York City

• Abbey-Lambertz, K 2012, Evan Roth Shows 'Welcome To Detroit' At Eastern Michigan University, The Huffington Post, 16 March.
• Alexander, N 2013, 'Evan Roth presents: art security check', Haaretz, 17 April.
• Barrett, G and Leibovich, M 2008, The Buzzwords of 2008, The New York Times, 21 December.
• Bartels, G 2021, Was analoge Wolken und digitale Clouds gemeinsam haben, Tagesspiegel, 17 December.
• Baumgärtel, T 2023, Festival Transmediale: debates about power and cards, Taz, 6 February.
• Bosco, R 2013, "Evan Roth, el midas del arte emergente", El Pais, 4 January.
• Bogle, A 2016, Evan Roth is making the art the meme stream Internet deserves, Mashable, 15 March.
• Branco, M 2020, Evan Roth e o flash vermelho sobre Portugal, Jornal Universitário do Porto, 11 October.
• Briz, N 2011, 'Work smarter not harder: An interview with Evan Roth', Art:21 Blog, 29 June.
• Brusadin, B, McCullough, R & Quaranta, D 2016, Domenico Quaranta: in conversation with Evan Roth, Media in the Expanded Field, 17 May.
• Byford, S 2012, Artist renders 'Angry Birds' gestures in stark monochrome paintings, The Verge, 22 November.
• Cabot, T 2007, Graffiti Research Lab: The Next-Generation of Street Art, Esquire, 20 November.
• Caulfiend, B 2010, 'Pranksters Attach GPS Device To Google Street View Car', Forbes, 7 February.
• Danzico, M 2011, 'Hacker artist takes over internet cafe for speed show', BBC News Online, 29 July.
• David, S 2013, CoffeeTalk: Evan Roth, The Huffington Post, 6 June.
• Day, A 2012, 'When Skyscrapers Are Your Screen', The New York Times, 25 January.
• Dayal, G 2006, 'High-tech Graffiti: Spray paint is so 20th century', The New York Times, 25 June.
• Delesalle-Stolper, S 2015, Evan Roth, débris de fond, La Libération, 26 March.
• Donovan, K 2012, ‘hacktivist’ evan roth returns to michigan, Art Serve, 22 March.
• Dunne, C 2016, A Pioneering Net Artist Mourns the Unfulfilled Promise of the Internet, Hyperallergic, 24 March.
• France 24 2013, The Influence of the Internet on Street Art, 30 September.
• Gallagher, D 2007, 'Tracking Michael Jackson's glove online', The New York Times, 3 July.
• Gat, O 2016, Show and Tell, POSTmatter, 29 September.
• Gévauden, C 2012, Angry Birds sur le bout des doigts, La Libération, 30 November.
• Goldstein, A 2017, What’s Next for Art? Looking at 3 Bleeding-Edge Artists at the Armory Show, Art Net, 2 March.
• Holmes, K 2015, Artist Evan Roth Used Ghost Hunting Equipment to Find the Physical Internet, Vice, 10 March.
• Holmes, K 2016, Eerie Infrared Kites Track Down the Physical Internet, Vice, 1 April.
• Hoy Guardianes de la Verdad 2015, Evan Roth es artista invitado a Bienal de Asunción con obra sobre tecnologías, 29 August.
• Jones, C 2014, Intellectual Property Donor – From the Student Perspective, Wesleyan University, 26 February.
• Jornal de Notícias 2020, Culturgest inaugura "Red Lines with Landscapes: Portugal" de Evan Roth, 2 October.
• Kennedy, R 2010, 'New Museum merges artistic and tech brains', The New York Times, 18 April.
• Kirsch, C 2014, Evan Roth’s “No Original Research”, Artfcity, 9 September.
• KMUW Wichita 2015, The Intersection Of Technology, Graffiti And Gallery Art, 21 January.
• Krales, A & Warren, T 2017, Technology and art meet at New York Art Week, The Verge, 4 March.
• Kurita, Y 2014, Evan Roth – Memory, CBCNET, 21 February.
• Kurutz, S 2012, "Evan Roth, an Award-Winning Man of Many Tags", The New York Times, 2 May.
• Lechner, M 2013, Offline Art, il faut savoir réseaux garder, La Libération, 1 March.
• Lechner, M 2012, Art numérique, la récupe est pleine, La Libération, 17 April.
• Lechner, M 2010, 'C'est graff docteur?', La Libération 10 July.
• Lechner, M 2006, 'Detouch, traqueur de retouche', La Libération, 3 March.
• Lorenzin, F 2016, Infra-Red Wuthering Heights: Interview with Evan Roth, Digicult, 1 June.
• Lusa, T 2020, Culturgest do Porto inaugura "Red Lines with Landscapes: Portugal", de Evan Roth, Sapo Magazine, 2 October.
• Lyden, J 2013, Hacker-Artist's Mantra: 'Fun Makes The Politics Go Down', National Public Radio, 24 August.
• McNamara, P 2008, 'Airport "X-ray art" courts TSA trouble', Network World, 1 October.
• Mercier, C 2017, Art Plages d’informations, La Libération, 27 October.
• Nadir, L 2012, Hunting + Gathering in the Digital Wilderness, Further Field, 9 November
• Neural 2009, 'Evan Roth - Explicit Content Only' 10 August.
• Nilsson, H 2016, Frusna pistolskott som gör ont i kroppen, Svenska Dagbladet, 15 June.
• Page, S 2010, 'Connecting the dots of digital art', Los Angeles Times, 2 July.
• Pamela, P 2013, An interview with Evan Roth, AQNB, 22 October.
• Paraguay.com 2015, Evan Roth es artista invitado a Bienal de Asunción, 30 August.
• Patton, C 2019, Internet browser history inspiration for MOCA exhibit, The Florida Times Union, 17 March.
• PBS Arts 2011, 'Off book: F.A.T. Lab' 14 September.
• Playground Detroit 2012, Artist Spotlight: Evan Roth, from Michigan to New York to France back to Michigan, 5 October.
• Popovich, N 2013, 'Evan Roth: the badass artist hacking popular culture', The Guardian, 20 August.
• POSTmatter 2014, Unoriginal Genius, 5 November.
• Quaranta, D 2013, 'F.A.T. Gold', Flash Art, May - June, p.43.
• Quaranta, D 2009, 'Firefox art', Flash Art, February-March, no. 274, p. 42.
• Quinlan, A 2007, Writing on the Wall, Time Magazine, 6 December.
• Rawsthorn, A 2011, MoMA Exhibit Shows How Technology Is Getting the Point Across, The New York Times, 17 July.
• Reyburn, S 2014, On Screen and on the Block, The New York Times, 30 May.
• Robinson, P 2018, Evan Roth Red Lines Winner Of Artangel’s International Open Call – Interview – Paul Carter Robinson, Artlyst, 10 September.
• Schatz, H 2019, Internet Meets Art In 'Since You Were Born' MOCA Exhibit, WJCT News, 15 March.
• Small, Z 2018, A Net Artist on Why the Cloud Is a Bad Metaphor for the Internet, Hyperallergic, 12 November.
• Stark, D 2013, CoffeeTalk: Evan Roth, The Huffington Post, 28 June.
• Stinson, L 2015, Exploring the Internet With Ghost-Hunting Equipment, Wired, 13 March.
• Stinson, L 2014, Watch: Evan Roth Hacks Wikipedia GIFs, Turning Webpages Into Art Shows, Wired, 8 October.
• Stinson, L 2014, These Aren't Abstract Paintings, They're iPhone Smudges, Wired, 30 July.
• Tarrant, A 2010, 'Evan Roth', Juxtapoz 10 October, no. 117, p. 124-135.
• Teplitzky, A 2018, Evan Roth Created a Work of Net Art That You Can Live With, Creative Capital, 10 September.
• Thulin, L 2018, Is Your Online Search History Art?, Washingtonian, 5 November.
• VanHemert, K 2012, Behold, The Winning Swipe For Every Level Of Angry Birds, Co.Design, 3 December.
• Viernes 2015, El Arte de Desbloquear el Celular Evan Roth, la tecnología y su influencia cotidiana, Centro Cultural de la Cabildo, 28 August.
• WAMC Public Radio 2007*,* 'Retouching celebrity photographs',5 January.
• Watson, L 2018, Internet art: Evan Roth’s ‘Red Lines’, Financial Times, 28 September.
• Webley, K 2010, 'The 50 Best Inventions of 2010: Eyewriter', Time Magazine, 11 November.
• Westall, M 2018, Artangel today launches Red Lines by pioneering new media artist Evan Roth, Fad Magazine, 10 September.
• Wikström, J 2016, Internetromantikern, Kunstkritikk, 14 April.
• Yaffa, J 2007, 'The writing's on the wall. (The writing's off the wall.)', The New York Times, 12 August.

• Adz, K 2011, Street Knowledge, The Overlook Press, New York.
• Alonzo, P, Bieber, A, Hübner, M, Jansen, G & Klanten, R (ed.) 2011, Art & Agenda, Gestalten, Berlin.
• Antonelli, P (ed.) 2008, Design and the elastic mind, Museum of Modern Art, New York.
• Antonelli, P (ed.) 2011, Talk to Me: Design and the communication between people and objects, Museum of Modern Art, New York.
•  Bašić, A, Ćosić, V, & Gregorič, A 2014, net.art Painters and Poets, Muzej in galerije mesta Ljubljane, Mestna galerija Ljubljana, Ljubljana.
• Beyond a memorable fancy: an EFA Project Space exhibition, 2008, The Elizabeth Foundation for the Arts, New York.
• Buchhart, D, Hug, C, Matt, G & Miessgang, T 2010, Street and Studio: From Basquiat to Seripop, Verlag für moderne Kunst Nürnberg, Nuremberg, Germany.
• Burkman, DB & LoCascio, M 2010, Stickers: From punk rock to contemporary art, Universe Publishing, New York.
• Carrier, D 2013, Wild Art, Phaidon Press, London, UK.
• Cook, G 2013, The Best American Infographics 2013, Mariner Books, Boston, USA.
• Delamarre, T & Sacramone, L 2009, Ne dans la rue: Graffiti, Fondation Cartier pour l'art contemporain, Paris.
• Durham, J, Ferreira, Â, & Strinna, E 2020, Chain Reaction, Fidelidade Arte, Lisbon.
• Ehmann, S, Hanschke, V & Klanten, R 2011, A touch of code, Gestalten, Berlin.
• Essvik, O 2022, The Computer as Seen at the End of the Human Age, The Museum of Modern Art, New York.
• Feireiss, L & Klanten, R (ed.) 2007, Spacecraft: Fleeting architecture and hideouts, Gestalten, Berlin.
• Gervasoni, V 2023, Salto nel Vuoto: Arte al di là della materia, Officina Libraria, Rome.
• Hundertmark, C 2005, The art of rebellion: The world of street art, Gingko Press, Berkeley, California.
• Hundertmark, C 2006, The art of rebellion: The world of urban art activism, Gingko Press, Berkeley, California.
• Hüebner, M & Klanten, R (ed.) 2010, Urban interventions personal projects in public places, Gestalten, Berlin.
• Jones, P 2011 'A white right hand' Convergence: The International Journal of Research into New Media Technologies 17 August, p 237-244.
• Lewisohn, C 2008, Street art: The graffiti revolution, Abrams, New York.
• McCormick, C, Schiller, M, Schiller, S & Seno, E 2010, Trespass: A history of uncommissioned urban art, Tachen, Cologne.
• Paul, C 2023, World of Art: Digital Art, Thames & Hudson, London.
• Ruiz, M (ed.) 2011, Walls & Frames: Fine art from the streets, Gestalten, Berlin.
• Samman, N 2023, Poetics of Encryption: Art and the Technocene, Hatje Cantz Verlag, Berlin.
• Samman, N 2023, Poetics of Encryption: Art and the Technocene, Hatje Cantz Verlag, Berlin.